I am tempted to say that this is for my younger readers as they are unlikely to have experienced the song – Sing, Sing, Sing. But, then I realize that probably more than 95 percent of you are younger than I am. So, this is for all of you.
*Another of the seminal songs in my musical upbringing is the famous Sing, Sing, Sing, written and performed by Louis Prima. I probably heard it at home on the radio because my father was a fan of Prima who had recorded it in March 1936. I became more aware of the song in my later years after hearing the Benny Goodman version at his famous 1938 Carnegie Hall jazz concert.*
In case you are unfamiliar with Louis Prima, here is what Wikipedia has to say, “Louis Prima (December 7, 1910 – August 24, 1978) was an Italian-American singer, actor, songwriter, bandleader, and trumpeter. While rooted in New Orleans jazz, swing music, and jump blues, Prima touched on various genres throughout his career: he formed a seven-piece New Orleans-style jazz band in the late 1920s, fronted a swing combo in the 1930s and a big band group in the 1940s, helped to popularize jump blues in the late 1940s and early to mid 1950s, and performed as a Vegas lounge act in the late 1950s and 1960s.
Louis Prima version 1937
“From the 1940s through the 1960s, his music further encompassed early R&B and rock’n’roll, boogie-woogie, and even Italian folk music, such as the tarantella. Prima made prominent use of Italian music and language in his songs, blending elements of his Italian identity with jazz and swing music. At a time when “ethnic” musicians were often discouraged from openly stressing their ethnicity, Prima’s conspicuous embrace of his Italian ethnicity opened the doors for other Italian-American and “ethnic” American musicians to display their ethnic roots.”
Of course, to my unsophisticated ear, the most stunning performance on the piece was the pulsing, primal Gene Krupa drum solo. It wasn’t till I was older that I got into appreciating the wonderful Benny Goodman clarinet work as well.
Here is what Wikipedia has to offer on the song: In their 1966 book Hear Me Talkin’ To Ya: The Story Of Jazz As Told By The Men Who Made It, music critics Nat Shapiro and Nat Hentoff quote Goodman as saying, “‘Sing, Sing, Sing’ (which we started doing back at the Palomar on our second trip there in 1936) was a big thing, and no one-nighter was complete without it.” Goodman’s 1938 Carnegie Hall jazz concert was different from the commercial release and from subsequent performances with the Goodman band. The personnel of the Goodman band for the Carnegie Hall concert were the same as in the 1937 recording session, except Vernon Brown replaced Murray McEachern on trombone, and Babe Russin replaced Vido Musso on tenor sax.
12 Min Version From Carnegie Hall 1938
I wanted to include this last one because seeing two other extremely gifted artists add their interpretation to it adds a further level of enjoyment. And, who doesn’t love Fred and Ginger?